VIRTUAL TOWN HALL MEETING: "Leveraging New Revenue Opportunities" (February 9)
In this virtual town hall meeting, moderated by Film Specific founder Stacey Parks, we discuss new revenue opportunities for filmmakers, how the marketplace has forced filmmakers to take a more business-minded "entrepreneurial" approach to financing, distributing and recouping budgets for their films, and how and if these opportunities can be quantified when they are still new and unproven as "revenue models".
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About Stacey Parks
Stacey Parks is an expert in the area of independent film distribution, with over 13 years experience working with independent film producers. As a Foreign Sales Agent she has secured distribution for hundreds of independent features and programs worldwide. She has sold independent films and programming to HBO, Showtime, Starz, PBS, A&E, BBC, SkyTV, NHK (Japan), RTL (Germany), Canal Plus (France), and countless others.
Her clients films have premiered at Cannes, Sundance, Toronto, Berlin, SXSW, San Sebastian, and other major film festivals. Her clients include Sundance and SXSW award-winning filmmakers and producers who have secured studio and mini-major distribution.
Stacey is the author of 'The Insider's Guide to Independent Film Distribution" (2007 Focal Press), the founder of Film Specific, the educational resource and community for independent filmmakers focused on helping independent filmmakers get their works distributed, and she is an adjunct professor in the Entertainment Studies department of UCLA.
Stacey has been profiled and interviewed in MovieMaker Magazine, Student Filmmakers Magazine, The Christian Science Monitor and the Los Angeles Business Journal. She has spoken on numerous panels including the Alliance of Women Directors, Slamdance and the 2008 Cannes Film Festival, has presented lectures or workshops at the British Film Institute, UCLA, Women In Film, and the Raindance Film Festival, and frequently writes articles for MovieMaker Magazine, MovieScope Magazine, and Student Filmmakers Magazine.
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