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THEATRICAL DISTRIBUTION: From DIY to the Mini-Majors -- A Virtual Seminar

After everything that's been written and spoken about ad nauseam, Theatrical Distribution is still an elusive mystery to most producers.

They want to know:

• how do I get it?
• Does it really matter that much?
• How much will I make?
• Will someone pay me for a theatrical distribution deal?
• How much will it cost if I do my own theatrical distribution?
• Can it help with my overall distribution strategy or should I skip it?
• and that's just the tip of the iceberg!

In this virtual seminar we demystify Theatrical Distribution. We talk costs, revenue, rewards, benefits, advantages, and disadvantages and get to the bottom of this elusive topic and figure out if it's right for you and your film!

FILM SPECIFIC MEMBERS: ACCESS THE VIRTUAL SEMINAR ON-DEMAND HERE

Not a Film Specific Member Yet? JOIN NOW TO ACCESS THIS VIRTUAL SEMINAR ON-DEMAND






ABOUT THE INSTRUCTOR

Stacey Parks is an expert in the area of independent film distribution, with over 15 years experience working with independent film producers. As a Foreign Sales Agent she has secured distribution for hundreds of independent features and programs worldwide. She has sold independent films and programming to HBO, Showtime, Starz, PBS, A&E, BBC, SkyTV, NHK (Japan), RTL (Germany), Canal Plus (France), and countless others.

Her clients films have premiered at Cannes, Sundance, Toronto, Berlin, SXSW, San Sebastian, and other major film festivals. Her clients include Sundance and SXSW award-winning filmmakers and producers who have secured studio and mini-major distribution.

Stacey is the author of "The Insider's Guide to Independent Film Distribution" (2007 Focal Press) and the founder of Film Specific, the online training resource and community for independent filmmakers focused on empowering filmmakers with the tools and resources to help them get their works made, seen and distributed worldwide.

Stacey has been profiled and interviewed in MovieMaker Magazine, Student Filmmakers Magazine, The Christian Science Monitor and the Los Angeles Business Journal. She has spoken on numerous panels for organizations including the Producers Guild of America, NALIP, Women in Film, and the Alliance of Women DIrectors, as well as at festivals and markets including the Cannes Film Festival, the American Film Market, and Slamdance. Stacey has also presented lectures or workshops at the British Film Institute, UCLA, Women In Film, the Raindance Film Festival, and FilmArc for FilmPool Nord. She has written numerous articles for major film-related print publications including MovieMaker Magazine, MovieScope Magazine, and Student Filmmakers Magazine and has been an instructor in UCLA Extension's Entertainment Studies division.