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FILM SPECIFIC SAMPLE RESOURCES
Here you'll find a small sampling of some of the extensive market intelligence training available to Film Specific subscribers.
To gain full access to our entire suite of interactive, multimedia training and online essential tools for independent filmmakers, please BECOME A SUBSCRIBER.
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Grow Your Audience, Sustain Your Career -- A Virtual Seminar
Filmmakers often underestimate the power of the audience and fail to realize that a filmmaker's audience can be their biggest asset. Savvy filmmakers are reaching out and engaging their audience, building a powerful community of loyal followers not just for their current films, but their future films as well. In this virtual seminar, we explore he practical tools for engaging and building your audience, how you can leverage a solid fan base to inspire confidence in your projects and get better deals, how growing your audience gives you tremendous freedom is getting your projects out into the marketplace and we'll take a look at the filmmakers to are successfully engaging and growing their audiences. . . .
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"Minimum Guarantee vs. Back-End: How to Decide Which Is Best For Your Film"
Filmmakers always wonder if they should take the MG (minimum guarantee) or negotiate for a bigger 'Back End'. In this seminar Orly Ravid, Founder and Co-Director of The Film Collaborative, and an expert on distribution deals, discusses what all this means and what's best for your film, including what a typical minimum guarantee looks like today, what 'back end' really means and when you should expect to start receiving it, how to project MG and back end monies, what filmmakers must consider when deciding whether to take a deal with a MG vs 100% back-end and much more. . . .
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"Making VOD Distribution Work For You": An Expert Series Seminar with Michael Murphy of Gravitas Ventures
Michael Murphy, SVP of Gravitas Ventures, a leading digital aggregator for independent films, joins us to discuss all aspects of the VOD landscape and how to make it work in your favor, including when filmmakers should seek VOD distribution and benefits of distributing on VOD platforms, the most profitable platforms, potential VOD revenues, why 'day and date' is so important to your overall strategy, the biggest mistakes filmmakers make when seeking VOD distribution and much more. . . .
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VIDEO TRAINING: Dissecting Distribution Revenue
When raising money for your film you must be able to determine where the potential revenue streams will come from and then effectively communicate that to potential investors. In this training video I dissect the six revenue streams any independent producer should consider and explain the process of calculating low, medium, and high end revenue projections . . .
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Anatomy of a Distribution Deal 2.0: A Virtual Seminar with Film Specific Founder Stacey Parks
In this virtual seminar, Film Specific founder Stacey Parks discusses the drastic changes in distribution deals over the past year and explores the types of deals independent filmmakers are negotiating now (including the kinds of percentages and expenses that can be negotiated, how filmmakers can keep more rights when working with traditional distributors, the role of the distributor in today's landscape, and more). . . .
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EXPERT SERIES SEMINAR: Brian Stevenson, Exec. VP, Acquisitions, All Channel Film
One of the biggest profit centers for independent films is U.S. broadcast pay and basic cable networks and Pay-Per-View outlets. However, these distribution outlets seem to elude most filmmakers. Brian Stevenson, Exec. VP, Acquisitions, All Channel Films and an expert on US broadcast and PPV distribution for independent films discusses the current landscape for distributing independent films on PPV and cable platforms, as well as the who's indie-friendly (and who's not) and just what cable and PPV buyers are looking for. . . .
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7 Essential Steps to Creating A Press Kit Elliot Grove
So we all know what a press kit is...but what exactly should go in it? This guide from Raindance Film Festival director Elliot Grove tells filmmakers exactly what they'll need to include, why they need to include it, and how to do it well to create a killer press kit! . . .
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What Our Members Say About FilmSpecific.com
"My name is Maurice Joshua and like many here, I am an independent producer. I have to say that after spending money on seminars, putting together investor cocktail parties/dinners (out of my own pocket) and meeting with industry types, this site has provided me with more invaluable information than any of those others. So, Kudos and thank you very much. It's made a difference for those of us who have a more creative leaning and realize that to be successful there needs to be an understanding of the business of filmmaking even after spending years in the business."
Humbly,
Maurice Joshua
First Pitch Productions, LLC
"I've been an avid Film Specific member for many years now. I just wanted to update you that my movie WHITE WALL is now finally released. We sold to 8 territories around the world and is now distributed by Well Go USA in NA. I applied what I learned from Film Specific in getting the best possible distribution deal. And I would like to thank you for all of your valuable advice."
Thanks,
- Jamie Kyinn, Filmmaker
http://WhiteWallMovie.com
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