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Audio Seminar Series
Film Specific Audio Seminar Series Archives

Welcome to the complete library of Film Specific's Audio Seminars. Please click on the links below to access the seminars.

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Audio Seminar: Grassroots Marketing For Docs and Indies
Audio Seminar: Grassroots Marketing For Docs and Indies As the economics of distribution has evolved, it has not been to the advantage of the filmmaker. However, with advances in technology, self-distribution has become a salvation for filmmakers who can employ grassroots marketing and promotions to get their films directly in front of those who really want to see it. To get more information about this, we spoke with Adam Chapnick, founder of Doc Workers -- he has been behind some of the most impressive grassroots independent film campaigns of our time, including ALL of Robert Greenwald's films. . . . keep reading
AUDIO SEMINAR: Docurama Films On The DVD Landscape For Indies
AUDIO SEMINAR: Docurama Films On The DVD Landscape For Indies Liz Ogilvie, Head of Programming for Docurama Films, a specialty label of major DVD distributor New Video, joined us for a candid talk on the DVD landscape for indie documentaries. Knowing your audience is more important than it's ever been before and Liz guides us through the types of films and DVD elements AUDIENCES are connecting with the most, how they find compelling material from a distribution point of view and much more. . . . keep reading
Audio Seminar: Ava B, VP of Acquisitions, Longtale International -- May 2008
Audio Seminar: Ava B, VP of Acquisitions, Longtale International -- May 2008 Longtale International is an foreign sales agent and producer's rep with an indie-friendly twist. They also know a whole lot about what's going on in the international marketplace. In this audio seminar we discuss the trends in the marketplace, how they work markets like Cannes what filmmakers need to know about foreign sales, how to sell a film without a name, and Ava B imparts some great advice for filmmakers which will save them BIG money down the line. . . . keep reading
Alexis Garcia, Agent, Independent Packaging Group, Endeavor -- April 2008
Alexis Garcia, Agent, Independent Packaging Group, Endeavor -- April 2008 Alexis Garcia, packaging agent at Endeavor's independent group opens up about the pivotal role the packaging agents at major agencies can play in getting an indie project to the screen...how they put together the elements needed to attract interest from financiers and how they leverage their clout to give the projects they package that much-needed competitive edge. We also discuss the role Endeavor plays in completed indie films. . . . keep reading
Ian Bricke, The Sundance Channel -- March 2008
Ian Bricke, The Sundance Channel -- March 2008 Ian Brick, Director of Acquisitions & Programming of the Sundance Channel guides us through the current broadcast landscape for indies in the U.S., the types of films they acquire and how they acquire them, the current opportunities that exist for independent films on the Sundance Channel and a whole lot more . . . keep reading
Brian Stevenson, Exec. VP, Acquisitions, All Channel Films -- March 2008
Brian Stevenson, Exec. VP, Acquisitions, All Channel Films -- March 2008 One of the biggest profit centers for independent films is U.S. broadcast pay and basic cable networks and Pay-Per-View outlets. However, these distribution outlets seem to elude most filmmakers. Brian Stevenson, Exec. VP, Acquisitions, All Channel Films and an expert on US broadcast and PPV distribution for independent films discusses the current landscape for distributing independent films on PPV and cable platforms, as well as the who's indie-friendly (and who's not) and just what cable and PPV buyers are looking for. . . . keep reading
"Buzz" Sells Films -- March 2008
"Buzz" Sells Films -- March 2008 So just how do you create a "buzz" for your films, reach your target audience at low-cost, and generate massive awareness? In this audio seminar we speak with movie marketing experts on just how they do it and how independent filmmakers can too! . . . keep reading
Building An Audience For Your Film Online & Branding Yourself As A Filmmaker -- February 2008
Building An Audience For Your Film Online & Branding Yourself As A Filmmaker -- February 2008 Lora Kratchounova, VP of Marketing for the audience-building tool for filmmakers, OurStage joined us for a look at why filmmakers should be doing this, how they can do it and how OurStage is an invaluable tool all filmmakers should be adding to their toolkit. . . . keep reading
Maggie Renzie, Producer, HONEYDRIPPER -- February 2008
Maggie Renzie, Producer, HONEYDRIPPER -- February 2008 Fed up with traditional distributors, maverick indie filmmakers John Sayles and Maggie Renzie have decided to do it themselves with the release of their new film HONEYDRIPPER. In our no holds barred seminar Maggie tells all about how they're doing it, the challenges they face, and the ins and outs of their grassroots campaign to "get the audience out." . . . keep reading
Josh Green, VP, Distribution, Emerging Pictures -- January 2008
Josh Green, VP, Distribution, Emerging Pictures -- January 2008 Founded by Ira Deutchman, the founder and President of Fine Line Features, Emerging Pictures is releasing John Sayles' new film, Honeydripper. Emerging is a breath of fresh air for filmmakers providing numerous services to support the filmmaker and a viable alternative to traditional distributors, while giving filmmakers access to everything a full service distributor could offer. And they're pioneers in Digital Projection. . . . keep reading
Audio Seminar: Documentary Doctor Fernanda Rossi on Making Fundraising Trailers For -- January 2008
Audio Seminar: Documentary Doctor Fernanda Rossi on Making Fundraising Trailers For  -- January 2008 Specially produced fundraising trailer are not only becoming more commonplace, but are also becoming a necessity for raising funds from grantmakers and investors. But an effective doc fundraising trailer is no normal trailer, there is a correct away to make a trailer that can get you that crucial and elusive funding. . . . keep reading
Online Distribution Made Easy For Filmmakers - January 2008
Online Distribution Made Easy For Filmmakers - January 2008 When the distributors didn't come knocking, Marc applied his years of experience as a top Internet Marketing expert to releasing Zen Noir himself, earning $40,000 in the first two days, before going on to sell thousands of DVDs over the next few weeks. Listen now to learn more about how Marc did it in this FREE audio seminar. . . . keep reading
Stephanie Palmer, founder Good In A Room and former Dir. of Creative Affairs at MGM -- December, 2007
Stephanie Palmer, founder Good In A Room and former Dir. of Creative Affairs at MGM -- December, 2007 As the Director of Creative Affairs at MGM, Stephanie heard over 3000 pitches from writers looking to get their projects in at the studio. The insights and advice Stephanie shares isn't just for writers looking to sell their script to studios, it's also extremely valuable for producers who are looking to pitch their projects to investors, directors who are looking to pitch their projects to producers, etc. . . . keep reading
Chris Horton, Acquisitions, Cinetic Media (Part 2) -- November 2007
Chris Horton, Acquisitions, Cinetic Media (Part 2) -- November 2007 Chris Horton, who handles acquisitions for Cinetic Media, arguably the best producer's reps today, joined us for a second aduio seminar. This time, Chris discusses digital distribution with us. And he covered a lot of ground! . . . keep reading
Liz Levenson, CABLEready -- October 2007
Liz Levenson, CABLEready -- October 2007 Liz Levenson of sales agency, CABLEready, joined us for our October seminar to discuss the state of international TV for producers looking to pitch original content and those with finished documentaries looking to for broadcast deals. . . . keep reading
Allen Chou, Passion River Films -- September 2007
Allen Chou, Passion River Films -- September 2007 Passion River's business model is working for a lot of producers who are tired of getting zero royalties in exclusive DVD deals with dsitributors and want to get their films into major retailers, but don't want to give up all their rights. . . . keep reading
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